[SACD-R][OF] Рахманинов / Rachmaninov – Piano Concerto No. 2 & Frank – Symphonic Variations (Alexis Weissenberg, Berlin Philharmonic Orchestra, Herbert von Karajan) - 1973/2011 (Classical/Orchestral/Piano)


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by Паночка ®
09-Бер-2018 20:16


[SACD-R][OF] Рахманинов / Rachmaninov – Piano Concerto No. 2 & Frank – Symphonic Variations (Alexis Weissenberg, Berlin Philharmonic Orchestra, Herbert von Karajan) - 1973/2011 (Classical/Orchestral/Piano)

Alexis Weissenberg, Berlin Philharmonic Orchestra, Herbert von Karajan
Рахманинов / Rachmaninov – Piano Concerto No. 2
Frank – Symphonic Variations
- Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1973/2011
Жанр: Classical/Orchestral/Piano
Издатель (лейбл): EMI Classics
Продолжительность: 00:54:04
Наличие сканов в содержимом раздачи: Да (сканы)-Треклист:
Сергей Васильевич Рахманинов / Sergei Rachmaninoff (1873–1943)
Piano Concerto No. 2 In C Minor Op. 18
01 I. Moderato 11:59
02 II. Adagio sostenuto 14:28
03 III. Allegro scherzando 11:56
César Franck (1822–1890)
04 Symphonic Variations M. 46 15:45-Alexis Weissenberg: piano
Berlin Philharmonic Orchestra
Herbert von Karajan: conductor-Контейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0-Доп. информация: EMI Classics WPGS-50106 (2011)
SACD rip via PS3 to iso (2.17GB)
This iso was made with sacd-ripper version 0.36 for PS3, from the magical Mr_Wicked.
Originally TOGE 1201 (1973). Recorded September 1972
ManWhoCan (PS³SACD) says: IMHO EMI made a bad choice, for this 2011 Digital Remaster, to not use DSD:
“In order to have the best digital remastering tools at our disposal for the remastering, we transfer from analogue to the digital domain at 96KHz & 24bit resolution using a Prism ADA-8 converter & capture the audio to our SADiE Digital Audio Workstation.” (WTF!)
Источник (релизер): ManWhoCan (PS³SACD)
https://www.sa-cd.net/showtitle/7616

Лог DR

foobar2000 1.3.13 / Замер динамического диапазона (DR) 1.1.1Дата отчёта:  2018-02-13 11:08:16
--------------------------------------------------------------------------------Анализ: ALEXIS WEISSENBERG / BERLINER PHILHARMONIKER / HERBERT VON KARAJAN / RACHMANINOV : PIANO CONCERTO NO.2 / FRANCK : VARIATIONS SYMPHONIQUES--------------------------------------------------------------------------------
DR Пики RMS Продолжительность трека--------------------------------------------------------------------------------DR12 -4.56 дБ -21.21 дБ 12:00 01-Piano Concerto No. 2 in C minor Op. 18 (2011 Digital Remaster): I. ModeratoDR17 -4.89 дБ -25.79 дБ 14:29 02-Piano Concerto No. 2 in C minor Op. 18 (2011 Digital Remaster): II. Adagio sostenutoDR11 -4.25 дБ -19.56 дБ 11:48 03-Piano Concerto No. 2 in C minor Op. 18 (2011 Digital Remaster): III. Allegro scherzandoDR12 -4.40 дБ -21.41 дБ 15:47 04-Variations symphoniques--------------------------------------------------------------------------------
Количество треков: 4Реальные значения DR: DR13
Частота: 2822400 Гц / Частота PCM: 352800 ГцКаналов: 2Разрядность: 24Битрейт: 5645 кбит/сКодек: DSD64================================================================================

Об альбоме (сборнике)

Charismatic pianist Alexis Weissenberg has been dubbed 1 of the greatest performers of 20th century music. This refined collection features a diverse range of celebrated piano pieces from iconic composers, Rachmaninoff & Frank. Conductor Herbert von Karajan & the Berlin Philharmonic Orchestra join in to bring a dramatic account of Frank’s symphonic variations. Part of the EMI Remastered Series, the album has been revitalized with inspired dynamics and rich sonics.

SA-CD.net:

A recording made in September 1972 which has never ranked very highly by admirers of either artist, but I found much to enjoy here. Karajan never seemed particularly engaged as an accompanist for pianists – the main prosecution witness could be his dire conducting for Christoph Eschenbach’s DG recording of Beethoven’s 1st Concerto, but he was a firm admirer of Weissenberg & their collaboration works pretty well.
The 1st movement of the Rachmaninov is imposing in Weissenberg’s hands, & Karajan goes along with him, drawing very powerful playing from the BPO at the climax, with powerful timpani strokes adding to the excitement. The tempo of the Adagio sostenuto is dangerously slow but the simple dedication of the soloist & Karajan’s attention to detail reaps dividends – he & Wislocki for Richter are 2 of the few conductors to draw out the flute chording at the movement’s climax. Beautiful string playing without blandness throughout, while the wind section are admirable in the Finale’s opening pages. Here Weissenberg’s penchant for aggressive & rather literal playing slightly undermines the Slavonic melancholy.
Sonically this is enjoyable, with a wide soundstage & greater refinement than previous incarnations, though some hiss is still audible. The only small snag is the slightly close balance, most noticeable during the Finale. The recording sounds best during the quieter passages so again the 1st 2 movements of the Rachmaninov fare best – the closeness of the sound & slight hardness of the piano tone are more evident in the Finale.
The decent but unremarkable performance of the Franck Symphonic Variations doesn’t have the individuality of the main work.



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